THESE superbly detailed pictures present the outstanding legacy of Anna Atkins, a Nineteenth-century botanist who left her stamp on science and images together with her signature “cyanotype” prints.
Sphacelaria scoparia
TASCHEN/The Metropolitan Museum of Artwork, New York
The choice is taken from a brand new ebook by Peter Walther, Anna Atkins. Cyanotypes, which reveals the ingenuity of Atkins, who used cyanotypes as a medium for documenting vegetation and algae. Her pictures had an unprecedented readability and accuracy, and had been produced by putting specimens onto paper coated with a light-sensitive iron salt answer. The paper was then uncovered to daylight and washed with water to repair the picture.
Lastrea foenisecii
TASCHEN/J. Paul Getty Museum, Los Angeles
Atkins revealed Images of British Algae: Cyanotype Impressions in 1843 – the primary time a ebook was illustrated with pictures. She revealed three volumes in complete, of which solely a handful of copies are recognized to exist at present in museums, libraries and galleries all over the world.
Rhodomenia polycarpa
TASCHEN/New York Public Library
Anna Atkins. Cyanotypes collates greater than 550 of her iconic pictures, which, together with representing “milestones in the history of science and media”, writes Walther, are additionally particular because of the “timeless aesthetic appeal” of the intricate specimens contrasted in opposition to blue.
Conferva gracilis
TASCHEN/New York Public Library
The principle picture is the algaeDasya coccinea, initially pictured in Images of British Algae Quantity II. The picture under that’s Sphacelaria scoparia. The third picture reveals Lastrea foenisecii, a fern from Atkins’s Cyanotypes of British and Overseas Ferns, adopted by two algae species, Rhodomenia polycarpa and Conferva gracilis, which featured in Images of British Algae Quantity III.